Category Archives: Parties

A Question this Gay Christmas…

and a recommendation …

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This piece was written by the smart and switched-on Australian journalist Julia Baird, sister of former NSW Premier Mike Baird, the bloke who presided over intensified police drug dog operations that made us hate and fear the cops again, the one who went on with his cronies to become such fierce and thick upholders of the NSW lockout laws, which effectively obliterated social life in general and Sydney’s gay party culture in particular as we knew it…

Remember that guy?

sleaze ball 90s dancefloor

Me neither.

Anyway, back to the good bit, Julia wrote this piece in 2004 ~ more than a decade before her brother Mike became Premier of NSW  (the same year, it turns out, that internet sites  for the first time became the most common way men looked for each other for sex; a circumstance strangely absent from the accounts the article engages with to work out what was changing, how, and why …but I say this in hindsight, more a retrospective thought to inform present activities/ activisms.

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In Chemical Palace, Fiona McGregor articulates that sense in the late 90s that things were splintering, but what were the mechanisms of that splintering? It splintered in so many ways: including all those she names, for sure, and more ..

For guys especially, I think, one important source of this splintering was the new pleasures and possibilities and problems of digital cruising ..(I explore the impacts of digital culture on queer sexual sociability in my new book, The Gay Science (Routledge, 2017).

One thing I wonder about, re-reading this piece today, at any rate, is whether Mike ever read his sister’s piece, and if the did, what he thought of it? could he relate? how did it affect him? Could he even be bothered trying to get a sense of what it’s feeling out for, its significance, its meaning?

Because I guess in the back of my mind I’m wondering, Mike (if I may): did you ever have the pleasure of partying at Mardi Gras? with your sister? or whoever? did you enjoy it? make new friends? smile with someone? learn new dance moves? get a jiggle in your hips? have an adventure? have a chat with ….anyone? anything?

(I just remember how my sister and I loved these parties, went to them together, or separately with our friends and others, so many times, such awesome times, all of us dancing, playing, laughing, crying, moving, joking, smiling, zoning out, searching, encountering each other, beside ourselves, together…)

And Mike if you did get the pleasure, what did you think of it? What did it do for you? How did it change you? How could it not have??

Tell us, wherever you are, Mike Baird, what did you make of it?  Do you remember? (because many of us do). What did you do to it? Where are they now?

I can’t help thinking, you see, Mike, had you actually got that pleasure …  ( & now I’m just speculating I suppose) … what would Sydney feel like today? How would it differ?  What would we be capable of? How would it feel?  What might become of that history today –  the good bits at least – & what supports do we need to build for these good bits to flourish, right now, all together, in the present?

It’s not at all a matter of wanting or thinking we can somehow just go back and live happily in some romanticised mid 1990 bubble.  I don’t think anyone really thinks or wants that, anymore.  Things have changed.  We’ve moved on.  New things are happening now, some better, some worse – including for new, previously excluded, identities and constituencies – that nobody could have imagined then.  Creativity.  Or, as Muriel Heslop’s father would say, ‘You can’t stop Progress’…   (I beg to differ)

No, it’s more a matter of thinking about what this time did for us, what bits are worth carrying forward, what bits are worth affirming and remembering, what we want to let go of, what can’t we forget? .  In other words, this isn’t a whinge, or some sort of nostalgic rant (ok maybe just a little bit of each/both to be honest), but actually meant this festive season, in the gayest of spirits as an entirely practical question:

How can we make what was nourishing and energising and important about those times, those spaces, those processes, those connections, those intimacies, those dynamisms, return/again ~ be renewed ~ newly happen?

I love Dion Kagan’s fresh new thinking on this question, by the way … he’s young and well-read and smart and lives in Melbourne and well, he definitely gets it. His book is even bathed in the inverted colours of Gay Christmas! 🖤❤️🖤

Perfect Summer Reading ☀️  Hopefully it’s out before Gay Christmas (by which I mean late February… what were you thinking??)

 

 

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Gay Science Studios

You can now follow Gay Science Studios on Facebook ~ just click on my mug

cropped-science-is-magic-selfie

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Political Animals #VoteYes for Equality

Divine video clip below, for your viewing pleasure ❤

And beautiful creatures, don’t forget to get your tickets for UNDEAD II: Political Animals – the fundraiser for Unharm –  here! X

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LGBTIQ Harm Reduction Innovations: An Interview with Unharm’s Kane Race

Paul Gregoire from Sydney Criminal Lawyers conducted this smart, well researched interview with me on the activities of Unharm’s Queer Contingent – was a pleasure to talk to him.

You can read the interview here

 

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Update: The Gay Science is out now, + info on new projects

Update: the book based on the research this blog was first set up to facilitate has just been released by Routledge in hardcover and e-form, with a paperback edition to be released in late 2018. It’s called The Gay Science: Intimate experiments with HIV (2018). here’s the cover blurb:

Since the onset of the HIV epidemic, the behaviour of men who have sex with men has been subject to intense scrutiny on the part of the behavioural and sociomedical sciences. What happens when we consider the work of these sciences to be not merely descriptive, but also constitutive of the realities it describes? The Gay Science pays attention to lived experiences of sex, drugs and the scientific practices that make these experiences intelligible. Through a series of empirically and historically detailed case studies, the book examines how new technologies and scientific artifacts – such as antiretroviral therapy, digital hookup apps and research methods – mediate sexual encounters and shape the worlds and self-practices of men who have sex with men.

Rather than debunking scientific practices or minimizing their significance, The Gay Scienceapproaches these practices as ways in which we ‘learn to be affected’ by HIV. It explores what knowledge practices best engage us, move us and increase our powers and capacities for action. The book includes an historical analysis of drug use as a significant element in the formation of urban gay cultures; constructivist accounts of the emergence of barebacking and chemsex; a performative response to Pre-Exposure Prophylaxis and its uptake; and, a speculative analysis of ways of thinking and doing sexual community in the digital context.

Combining insights from queer theory, process philosophy and science and technology studies to develop an original approach to the analysis of sexuality, drug use, public health and digital practices, this book demonstrates the ontological consequences of different modes of attending to risk and pleasure. It is suitable for those interested in cultural studies, sociology, gender and sexuality studies, digital culture, public health and drug and alcohol studies.

So thrilled that Indian-Australian artist Leon Fernandes generously granted me permission to reproduce his extraordinary piece Krishna in Erskinville on the cover, an artwork first exhibited at East Sydney Doctors Gallery the week I sent my manuscript off to the publishers (!!); AND to have received such generous endorsements from Lauren Berlant and Steven Epstein – such brilliant, inspirational and inspiring critics and social thinkers.

The Gay Science flyer

Meanwhile I’ve commenced a new ARC Discovery Project with Dean Murphy, Toby Lea and Kiran Pienaar on LGBTQ drug and medication use, ‘Chemical Practices: Enhancement and experimentation‘ this year (DP17), which proposes to treat queer and trans drugtaking practices as intimate experiments (in the science studies sense) while considering the forces that constrain and enable such experiments to assemble and find their publics and thus become more collectively and carefully elaborated. More details and a link to the project’s website, still in development, to follow

I’m also continuing work on my interest in the design and transformation of geo-sexual networking devices and how they structure the arrangement of sex between men, as well as dreaming up a new project about the normalising effects of the terms of national membership in Australia and the opportunistic policing of citizenship via mundane legal provisions that serve as pretexts for increased surveillance of migrant/ethnic and queer & gender minoritized communities & populations.

This project will work across ‘queer’ and ‘wog’ practices of body modification in Australia (car modification culture and queer drug and party practices mainly) to bring anti-racist critiques  into better articulation with queer counterpublic theory in critical studies of the  disciplinary terms of Australian citizenship and national membership, as well as the ethico-political and aesthetic dimensions of self-experimentation, body-modification, collective self-transformation, and how they are inter-implicated with evolving markets, cultural economies, and gender identities in the pre- and post-digital context.

Tentative working title-headers for this longer term project are taken from the subcultures this work will learn form and have particular vernacular relevance within them respectively.  They include “Policing Cruising: body-modification and resistance within queer and wog scenes in Australia”;  “Defected”; or maybe just “@toughstreetmachines”

 

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Unharm Queer Contingent Resources

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Click here to access the safer dancing guidelines developed by rave researcher Newcombe, way back when….

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Click here access our analysis of the G care principles we extracted from our research with the ACON Rovers

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My critique of Chemsex discourse: chemsex, a case for gay analysis – where i attempt to reframe the chemsex problem so that it recognises the agency of drug user  (image courtesy of local artist Leon Fernandes ❤ )

 

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Filed under Devices and technology, Engagement with medicine, Erogenous zones, Eroticism and fantasy, Medicine and science, Online meeting sites, Parties, PNP culture, Police, Policy and programs, Self-medication, Sexual practice, Sexual Sociability

Chance Encounters

GeraldOne of my all-time favourite films about cultural transformation is 24 Hour Party People (2003, dir. Winter bottom), which tracks the shift from punk rock to dance culture in Manchester’s music/cultural scene of the 1980s.
I use the film in my teaching to spark students’ engagement with concepts such as assemblage, eventuation, contingency, and actor-networks.. In one of the film’s most memorable scenes, the ludic narrator (played wonderfully by Steve Coogan) clinches that moment that everything comes together: the music, the dancing, the technology, the drugs, the venue …to generate a distinctively new situation – an event: the birth of rave culture.
The dancetrack that enacts and amplifies this effervescent moment in the film,  set signally in Manchester’s legendary Hacienda Club, is Voodoo Ray,  widely regarded as the first acid house single produced in the UK, produced by legendary DJ A Guy Called Gerald.  You can watch the videoclip to that seminal house track here.
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A couple of weeks ago i was contacted out of the blue by Prem Borle, a drug researcher and ANT scholar from Berlin I had only met through Facebook, who was in Sydney, looking for something queer and festive to do. Friends took him out to some queer performance art one night, and on Sunday he came over to hang out with Stephan, Herc and I. We had a really great day. 💕
On Sunday night Prem lured me across the road to Pavlova Bar at Club 77, where A Guy Called Gerald (who I hadn’t really heard of at the time) was said to be spinning.
What an amazing set! Ivan Ligne-Noire, eminent professor of fine rave, let me know that Gerald had come only with a bunch of self-prepared dubs which he was mixing live on the spot.
At the height of his set, Voodoo Ray started kicking in here and there…among other things that might have been kicking in at that moment…whipping the crowd into a frenzy. Excited, I turned to Ivan to ask him if he knew the the Winterbottom film, and the scene that featured that track.
Ivan just laughed gently and, pointing to the DJ (spinning only an arms length away from us) whispered: ‘yes, that was *him*. Gerald was the guy who played that track, right there in the Hacienda that night that everything came together’
Mind. Blown. 💥🌈
Still reverberating in the afterglow
#Ecstatic #event #queerchemistry #disconerd

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