Monthly Archives: December 2017

A Question this Gay Christmas…

and a recommendation …

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This piece was written by the smart and switched-on Australian journalist Julia Baird, sister of former NSW Premier Mike Baird, the bloke who presided over intensified police drug dog operations that made us hate and fear the cops again, the one who went on with his cronies to become such fierce and thick upholders of the NSW lockout laws, which effectively obliterated social life in general and Sydney’s gay party culture in particular as we knew it…

Remember that guy?

sleaze ball 90s dancefloor

Me neither.

Anyway, back to the good bit, Julia wrote this piece in 2004 ~ more than a decade before her brother Mike became Premier of NSW  (the same year, it turns out, that internet sites  for the first time became the most common way men looked for each other for sex; a circumstance strangely absent from the accounts the article engages with to work out what was changing, how, and why …but I say this in hindsight, more a retrospective thought to inform present activities/ activisms.

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In Chemical Palace, Fiona McGregor articulates that sense in the late 90s that things were splintering, but what were the mechanisms of that splintering? It splintered in so many ways: including all those she names, for sure, and more ..

For guys especially, I think, one important source of this splintering was the new pleasures and possibilities and problems of digital cruising ..(I explore the impacts of digital culture on queer sexual sociability in my new book, The Gay Science (Routledge, 2017).

One thing I wonder about, re-reading this piece today, at any rate, is whether Mike ever read his sister’s piece, and if the did, what he thought of it? could he relate? how did it affect him? Could he even be bothered trying to get a sense of what it’s feeling out for, its significance, its meaning?

Because I guess in the back of my mind I’m wondering, Mike (if I may): did you ever have the pleasure of partying at Mardi Gras? with your sister? or whoever? did you enjoy it? make new friends? smile with someone? learn new dance moves? get a jiggle in your hips? have an adventure? have a chat with ….anyone? anything?

(I just remember how my sister and I loved these parties, went to them together, or separately with our friends and others, so many times, such awesome times, all of us dancing, playing, laughing, crying, moving, joking, smiling, zoning out, searching, encountering each other, beside ourselves, together…)

And Mike if you did get the pleasure, what did you think of it? What did it do for you? How did it change you? How could it not have??

Tell us, wherever you are, Mike Baird, what did you make of it?  Do you remember? (because many of us do). What did you do to it? Where are they now?

I can’t help thinking, you see, Mike, had you actually got that pleasure …  ( & now I’m just speculating I suppose) … what would Sydney feel like today? How would it differ?  What would we be capable of? How would it feel?  What might become of that history today –  the good bits at least – & what supports do we need to build for these good bits to flourish, right now, all together, in the present?

It’s not at all a matter of wanting or thinking we can somehow just go back and live happily in some romanticised mid 1990 bubble.  I don’t think anyone really thinks or wants that, anymore.  Things have changed.  We’ve moved on.  New things are happening now, some better, some worse – including for new, previously excluded, identities and constituencies – that nobody could have imagined then.  Creativity.  Or, as Muriel Heslop’s father would say, ‘You can’t stop Progress’…   (I beg to differ)

No, it’s more a matter of thinking about what this time did for us, what bits are worth carrying forward, what bits are worth affirming and remembering, what we want to let go of, what can’t we forget? .  In other words, this isn’t a whinge, or some sort of nostalgic rant (ok maybe just a little bit of each/both to be honest), but actually meant this festive season, in the gayest of spirits as an entirely practical question:

How can we make what was nourishing and energising and important about those times, those spaces, those processes, those connections, those intimacies, those dynamisms, return/again ~ be renewed ~ newly happen?

I love Dion Kagan’s fresh new thinking on this question, by the way … he’s young and well-read and smart and lives in Melbourne and well, he definitely gets it. His book is even bathed in the inverted colours of Gay Christmas! 🖤❤️🖤

Perfect Summer Reading ☀️  Hopefully it’s out before Gay Christmas (by which I mean late February… what were you thinking??)

 

 

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Filed under Affect, Antiretrovirals, Books, Devices and technology, Engagement with medicine, Erogenous zones, Eroticism and fantasy, Medicine and science, Parties, Random thoughts, Uncategorized

Science is Magic: practical aesthetics and vernacular creativity in social media

“To engage in practical aesthetics … is to conceive of an aesthetics informed by and derived from practical, real world encounters, an aesthetics that is in turn capable of being used or put into effect in a real situation.  In other words, it is to orient aesthetics – with its specific qualities and capacities – towards actual events or problems (much as practical ethics is shaped around particular problems).

~ Bennet, J (2012). Practical Aesthetics. New York: I.B. Taurus

Framing the selfie as an instance of practical aesthetics allows us to conceive of it as an intervention that both responds to a particular event or problem, and seeks to amplify, redirect, or intensify the impact of that event/problem.

“An object for practical aesthetics might be said to arise from an encounter with an event”

~ Bennet, J (2012). Practical Aesthetics. New York: I.B. Taurus

The selfie imbues the event with personal meanings and associations and sends these associations and affective intensities into (more or less) public circulation – and in ways that often exceed the intention of the creator.

The selfie does not provide a definitive solution to the problem it addresses so much as a situated response to the event with which it is concerned, assembling a platform in the process for the expression of new meanings, objects, responses and affective relations.

In this sense, the creator is participating in the process of eventuation by mobilising the selfie as an affective and aesthetic repository/transmitter of their particular way of feeling an event.

To reformulate the selfie in this way raises practical/ethical/aesthetic questions for the selfie-maker: what style might one devise to become worthy of the event?

Example: Gay Science selfie

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Image-Affect-Glossary   

* The t-shirt says Detroit and the upraised spanner symbolises the power of workers in solidarity

*I’m having a cuppa in my Science is Magic mug. I love how Beaker embodies the anxiety and clumsiness and the pervasive imminence of catastrophe implicit in modern Scientific projects: Beaker is a Muppet, but fear not citizens! Because haven’t you heard? Science is Magic!

*You know what else is Magic? A nice cuppa tea.

*I’m wearing my Stephani ring, which I always wear to remember my love for Stephan

*Behind me is artwork by Daniel Joshua Goldstein that I bought after I met him, quite by chance, a few days after watching We Were Here, a documentary about the impacts of the AIDS crisis in San Francisco, to which Goldstein, as one of the film’s participants, bears moving testimony.  I saw the film in a tiny theatre in the West Village In New York, 2011, and got to meet Daniel himself a week later, when I bumped into him and his partner completely randomly on the sidewalk of 8th Avenue. Daniel was in town to show his For Redon exhibition. His work, and this work in particular, spoke to me.  I’m so lucky to be able to enjoy it every day.

*As FB Cover Art, I’ve used an iphone pic of some beautiful chrisanthemums, which graced a vase at home during the weekend of Club Kooky September 2017.  A wonderful instantiation of queer chemistry if ever there was one.

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Filed under Affect, Books, Devices and technology, Erogenous zones, Eroticism and fantasy, Medicine and science, Random thoughts, Self-medication, Sexual Sociability, Theory

Care of the Selfie: Towards an Aesthetics of Digital Existence

What is a selfie?

180407B3-1AB1-44AF-A076-2566F5247575A selfie is not a simple act of self-reflection, but more like the instantiation of a brand, in the sense that it functions as both a medium and device that projects the self into the various social arena of digital culture.

A medium, in the sense that media are platforms for social action.

And a device, in the sense that it collects, stores and processes information that enables other participants in the platform to calculate, respond, and recalibrate.

Once a selfie is grasped as a multi-dimensional platform, then all sorts of material objects and social processes can be understood to enter into the labour of self-formation.

In short the selfie is an experiment, a platform for self-articulation, a social device and virtual source of relational transformation

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Filed under Affect, Devices and technology, Eroticism and fantasy, Sexual Sociability, Theory